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The Uffizi

art museum

Florence, Tuscany, Italy, Europe

1424

Masaccio paints the Virgin and Child with Saint Anne with Masolino.

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Masolino (1383-1447), aged 41: painter
Masaccio (1401-1428), aged 23: painter

1472

48 years, 12 days later

Leonardo da Vinci paints The Annunciation for the Olivetan monastery of San Bartolomeo, near Florence.

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Source: Primary

Luke Syson; Syson, Luke; Larry Keith, Arturo Galansino, Antoni Mazzotta, Scott Nethersole and Per Rumberg (2011). "Leonardo da Vinci: Painter at the Court of Milan". London: National Gallery

1473

1 year, 1 day later

Leonardo da Vinci paints The Annunciation for the Olivetan monastery of San Bartolomeo, near Florence.

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Source: Primary

Martin Kemp; "Leonardo: Revised edition". Oxford: Oxford University Press, 2011.

1473

August 5

on Tuesday

7 months, 6 days later

Leonardo da Vinci produces a pen and ink drawing of the Arno valley that is dated to this day. It is said to be one of the earliest Italian landscape drawings that focuses on the particular character of the location.

The drawing is said by some scholars to be a study intended for the 'Baptism of Christ', which Leonardo painted with Andrea del Verrocchio around this time.

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Drawing of the Arno valley by Leonardo da Vinci
Landscape from 'Baptism of Christ'

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The moon was waxing gibbous that night.
Sunrise in Arno was at 6:01 AM and sunset was at 6:08 PM.

Source: Primary

https://en.wikipedia.org/wiki/Leonardo_da_Vinci

1474

4 months, 29 days later

The Baptism of Christ

Andrea del Verrocchio, with a young Leonardo da Vinci, paints The Baptism of Christ.

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1481

March

7 years, 2 months, 1 day later

Leonardo da Vinci receives a commission to paint The Adoration of the Magi for the Monks of San Donato a Scopeto, which he leaves unfinished.

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1491

May 1

on Friday

10 years, 2 months, 3 days later

The coinage was changed: that is, silver coins began to be used; and it was decided that the grossone should be worth 16 quattrini and a half, like the old silver ones. All the taxes were to be paid in silver, which meant a little increase to the people, as a quarter more had to be paid, when there was need, on the contrary, to relieve them. This increase was made by divine permission, on account of our sins; because the poor are generally worse than the rich and great. Praise be to God!

This same day they began a causeway between the Loggia de' Signori and the Palagio, so high that one could walk on a level from the door of the Palagio into the Loggia; with steps leading towards San Piero Scheraggio(1) and towards the Piazza, so that neither horses nor any other animals could pass there any longer. It was also rather inconvenient for people, having to go up and down again. Some persons liked this causeway, and others not; I myself did not care for it much.

(1) This church was one of the oldest in Florence; it was in the form of a basilica, its interior somewhat resembling San Miniato al Monte. Many political meetings were held in it. The Florentines hung the "Caroccio" of Fiesole on the marble facade (afterwards copied in marble, but destroyed with the rest of the church)l and tradition says that the ancient marble pulpit or ambone was also from Fiesole. This pulpit, when the church was suppressed, was given to the little church of San Leonardo in Arcetri, which was connected with San Piero Scheraggio, and it can still be seen there. The north wing of San Piero was demolished first, to widen the street between it and the Palazzo Vecchio (this street is named after the Capella delle Ninne), and the south wing was also closed, the central aisle being still used for service till the year 1560 when the church, chapter-house and loggia were all demolished to make place for the Uffizi. (Trans.)

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The moon was in the last quarter that night.
Sunrise in Fiesole was at 5:53 AM and sunset was at 5:59 PM.
Sunrise in Florence was at 5:53 AM and sunset was at 5:59 PM.
Sunrise in Arcetri was at 5:53 AM and sunset was at 5:59 PM.

1867

375 years, 11 months, 6 days later

Uffizi acquires The Annunciation and ascribes it to Domenico Ghirlandaio.

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1869

2 years, 1 day later

Karl Eduard von Liphart attributes The Annunciation to the youthful Leonardo da Vinci, an attribution which has since not been overturned.

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