The Uffizi art museum

now closed opens again on Saturday at 08:15 more info

Uffizi: Hall 2: Giotto and the 13th century see all

Uffizi: Hall 3 - 14th Century Sienese Painting Room see all

Uffizi: Hall 7 – The Early Renaissance see all

Uffizi: Hall 8 – Filippo Lippi see all

Uffizi: Halls 10/14 – Botticelli see all

Uffizi: Hall 15 – Leonardo see all

Uffizi: Hall 35 – Michelangelo & the Florentines see all

Uffizi: Hall 57/58 - Andrea del Sarto see all

Uffizi: Hall 64/65 - Bronzino see all

Uffizi: Hall 66 – Raphael see all

Uffizi: Hall 83 – Titian see all

Uffizi: Hall 90 – Caravaggio see all

Andrea del Sarto see all

Alesso Baldovinetti see all

Gian Lorenzo Bernini see all

Botticelli see all

Bronzino see all

Caravaggio see all

Cimabue see all

Correggio see all

Artemisia Gentileschi see all

Giotto see all

Jean Auguste Dominique Ingres see all

Jean-Paul Laurens see all

Leonardo da Vinci see all

Filippo Lippi see all

Ambrogio Lorenzetti see all

Masolino see all

Michelangelo see all

Piero della Francesca see all

Raphael see all

Sebastiano del Piombo see all

Simone dei Crocifissi see all

Tintoretto see all

Titian see all

Paolo Uccello see all

Domenico Veneziano see all

Workshop of Leonardo da Vinci see all

Adoration of the Magi see all

Baptism of Christ see all

Death of Adonis see all

Holy Family see all

Judith and Holofernes see all

Leda and the Swan see all

Madonna and Child see all

Madonna and Child with St. Anne see all

Maesta see all

Nativity see all

Primavera see all

Reclining Venus see all

The Annunciation see all

Altarpiece

Half Length Portrait

Portrait

Self Portrait

Academic Classicism

Baroque

Early Renaissance

Gothic

High Renaissance

Italo-Byzantine

Late Gothic

Mannerism

Neo-Classicism

Renaissance

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Characters

Adonis see all

Archangel Gabriel see all

Athena see all

Botticelli see all

Catherine of Alexandria see all

Christ Child see all

Cosimo I de' Medici, Grand Duke of Tuscany see all

Cosimo de' Medici see all

Cupid see all

Eleanor of Toledo see all

Flora see all

Fortitude see all

Francis see all

Giovanni de' Medici see all

Holofernes see all

Infant Christ see all

Jesus Christ see all

John the Baptist see all

Judith see all

Leda see all

Leonardo da Vinci see all

Pope Julius II see all

Raphael see all

Saint Anne see all

Saint Joseph see all

Saint Lucy see all

Saint Zenobius see all

Three Graces see all

Venus see all

Virgin Mary see all

Zephyrus see all

Gian Lorenzo Bernini see all

Lucrezia Panciatichi see all

Jean-Paul Laurens see all

Mary Magdalene see all

Elisabetta Gonzaga see all

Bartolomeo Panciatichi see all

Techniques

Bas-Relief Style Composition see all

Cangiante see all

Circular Frame see all

Horizontal Rectangular Frame see all

Parallel to Surface Plane see all

Rectangular Frame see all

Three-Quarter Profile see all

Unsystematic Perspective see all

Vertical Rectangular Frame see all

Vertically Halved Division see all

1472

Leonardo da Vinci paints The Annunciation for the Olivetan monastery of San Bartolomeo, near Florence.

1473

Leonardo da Vinci paints The Annunciation for the Olivetan monastery of San Bartolomeo, near Florence.

August 5

Leonardo da Vinci produces a pen and ink drawing of the Arno valley that is dated to this day. It is said to be one of the earliest Italian landscape drawings that focuses on the particular character of the location.

1481

March

Leonardo da Vinci receives a commission to paint The Adoration of the Magi for the Monks of San Donato a Scopeto, which he leaves unfinished.

1491

May 1

The coinage was changed: that is, silver coins began to be used; and it was decided that the grossone should be worth 16 quattrini and a half, like the old silver ones. All the taxes were to be paid in silver, which meant a little increase to the people, as a quarter more had to be paid, when there was need, on the contrary, to relieve them. This increase was made by divine permission, on account of our sins; because the poor are generally worse than the rich and great. Praise be to God!

1867

Uffizi acquires The Annunciation and ascribes it to Domenico Ghirlandaio.

1869

Karl Eduard von Liphart attributes The Annunciation to the youthful Leonardo da Vinci, an attribution which has since not been overturned.
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